Index SoundLab I, The Electronic Studio

Synthesis I

Audio frequency (AF)Oscillators
The sine waveform
The triangular waveform
The sawtooth waveform
The square waveform
The square and pulse waveform
The noise oscillator
Filters
Lowpass
Highpass
A sweep in a high and a
lowpass filter serial circuit
Static Filter
Static Low Pass
Static Band Pass
Static High Pass
Static Filter Serial
Static Filter Parallel
Classic Filter
The Nord Filter
The Multi Filter
Bandpass Phaser
The Comb Filter
One comb
Control- or modulation signals
The Keyboard Voice module
The Mono Key module
The Constant module
The Low Frequency Oscillator
LFO C
The LFO trianglewave
The LFO sawtoothwave
The LFO squarewave
The LFO random wave
The LFO random glide
The LFO random pulsewave
The LFO random glide pulse
The Envelope Generator
Four-stage ADSR
Various Shape settings of the ADSR
Logarithmic Attack and Exponential Decay/Release
Linear Attack and Exponential Decay/Release
Exponential Attack and Decay/Release
Linear Attack and Decay/Release
The Decay Envelope
The Hold Envelope
Stereo Hold
The ADR Envelope
Restart tricks
The envelope loop
The ADDSR Envelope
ADDSR envelope negative inverted
Amplitude modulation of the EG module
The Keyboard module
The LevScaler module
The Mod Envelope
Our first synthesizer
More EG applications
Delayed tremolo
Delayed Tremolo and vibrato
Appendix
Shape and phase with the Pulse waveform
The Dual oscillator
The Shape A oscillator
From sine to sawtooth
From a sine- to square waveform
The Lag or Glide module
The postponed delayed vibrato
The Min-Max module
Tremolo
Pseudo-unison triangle waves
The Noise Oscillator
Creating a filter matrix
Filter modulated by audio
The percussion oscillator
Rebuilding an analogue synthesizer
The Minimoog
The Korg MS 20
The ARP 2600
The EMS Synthi

Synthesis II

Additive synthesis
Sinusoidal Modeling
Building an instrument
Additive way for filter stacking
The Formant
Formant oscillator
Violin formant
Sync formant
FOF
Vocal filter
Talking patch
Additive synthesis and AM
FM synthesis
Bessel function
Carrier/modulator
Partials
Sidebands
Frequencies and ratio's
Bessel scaling factors
FM architectures
Self-modulating carrier
Complex FM structures
The DX operator module
FM and Sync
The DX 21
The DX 7
Oscillator Sync
Hard sync
Soft sync
Vosim
Pulse train and formants
extended Vosim
Creating an instrument
Phase distortion
FM and phase modulation
Creating waveforms
Radians
Modulating the phase
Modulation index
Cross Modulation
x-mod and filtering
Pseudo Wave-table synthesis
Wave-stacking
Envelope controlled multiplexers
Wave scanning
Physical Modeling
Modal synthesis
Pseudo=Karplus-Strong
Creating instruments
Resonators
Controlling feedback
Wave-guide Synthesis
examples
Phase-lock loop
sample&Hold
Driver
Soft sync PLL
Wave terrain synthesis
Two-variable synthesis
Wave orbit
Wavetable synthesis
cross-multiplexing
Granular synthesis
Snippets and movement

Sample & Hold

Basic
S/H and random pitch modulation
S/H and random filter modulation
Tonality and S/H
The S/H and random panorama modulation
S/H and random sync modulation
S/H for gain (Envelope) modulation
Control inputs for the S/H
S/H module in a Logic circuit
S/H module as control for a Gate
Complex examples
Melodic control
The S/H module and audio signals
Serial and parallel S/H modules
Triggering
Control Sampling
Duo sampling
Audio applications
Phase lock
Other triggering
Counted S/H stack
Special Structures
Open loop
Switch loops
S/H and logic
S/H as composition tool

Amplitude and Ring modulation

Basics
The Level Multiplier
The Level Modulator
The Modulation Amount module
Amplitude Modulation
Amplitude control
Sidebands
Ring modulation and sidebands
Two tone tests
RM and metal sounds
The Ring Modulator creating tremolos
The Ring Modulator to create an echo effect
Complex timbre examples
Wrapped sine waveforms
AM and RM
RM and Sync
AM-RM and FM
RM and filtering
examples
RM and control signals
examples
RM and Logic
examples
Classic RM
examples

Logic I

Basic
Simple Gates
Half adders
Combinational logic
Full adders
Combinations
The Flip-flop module
D-type Flip-flop
S-type Flip-flop
Sequential Logic
examples
The Logic Divider module
8-Counter
Keyed triggers switches
other examples
The Logic Pulse module
examples
The Logic Delay module
examples
The BinCounter module
examples
ADConverter
examples
DAConverter
examples
Creating a shuffle model
examples
Few ideas
examples
Logic and Audio
examples
Logic as audio
examples
Autonomous logic oscillators
examples

Dance/Techno I

Basics
The Clock module
The Event Sequencer
Sound
The Pattern Generator
Trigger and pitch control
The Sequencer
Trigger and pitch control
Creating a melodic drum line
Creating chord patterns
Timing control
Creating a drum set
Using various forms of synthesis
Reset Slices
examples
Phase differences
examples
Coloring sound
examples
Big examples
Percussion synth
Bass Synth
Drum Synth
Chord Synth

Dance/Techno II

Pitch & Rhythm
The Level Sequencer
The 32-steps Sequencer
172-steps Sequencer
Triggering by key
The Snare Machine
The Hihat Machine
The Percussion Machine
Complex trigger switching
Expanding timing possibilities
Random triggering
Creating Swing
The Random Trig module
The Shuffle block
Extended for- and backwards sequencing
Individual logic triggering
Triggering and multiplexers
Glitch/IDM
Logic Delay and phase
Creating Delay slices
Creating Granular fx
The Randomizer
examples
Famous Machines
JomoX XBase
Waldorf Attack
The TTool
Pearl Syncussion
New Skool
Toxic
BassLine Pro
303

Experimental music

Random
A-tonal and tonal examples
Minimalistic
Reich and Cage like examples
Feedback composition
Creating color and manipulating feedback lines
Conceptual Sound
Daily Noises(electronic remakes)
Political
Statements
Noise-,screak- and crackle machines
Examples
Drones
Examples with phasing, RM, Resonators etc.
Music Machines
Examples

Audio Processing I

Distortion
The Clip module examples
The Overdrive module examples
The Saturation module examples
Rectifier examples
The WaveWrap module examples
The Static Shaper module examples
Compression
Examples
FX
Chorus
Phaser
Flanger
Digitizer
Ring Modulation
Carrier-modulators circuits
Single Side band suppressed carrier modulator
The Frequency shift module
Examples
The Pitch Shift module
Examples
The Scratch module
Examples
The Reverb module
Examples
Delay modules
Static Single Delay module
Inverted feedback examples
Single Delay with modulation
Acoustical movement
Dual Delay line
Creating a Flanger
Creating a phase tremolo
The Quad Delay module
Broadening sound
Creating a Reverb
The Delay Eight module
modulating delay time examples
The Clocked Delay module
Creating a resonator
Echo effects
Clocked and other constructed
Delay examples
Combinational FX
Gain manipulation
Differential distortion
Tee Bee distortion
Logic and distortion
Logic ADC Fasor
Logic bits switcher
Bit Eater
More examples
Complex Audio processing
Filter Matrix
Various sequenced FX
PLL Vocoder
Sherman Bank
Glitch FX
Examples

Tips and tricks

Goodies
For oscillators
Creating Noise
Movement
Fatter sound
Filtering
LFO trickery
ADSR circuits
Different morph curves
etc.

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