ROLAND EMILE KUIT
COMPOSER |
SONIC
ARTIST |
SONIC SCIENCE
Roland Emile
Kuit: Remapping Rajlich museum installation - photography by Karin Schomaker
ROLAND
EMILE KUIT
| ABSOLUTE
SONICS
"I believe in ideas. I translate
concepts into unique, immersive sonic experiences" - Roland Kuit, 1st Dutch composer with
sonic art in space on board of the NASA OSIRIS-Rex mission
Roland Emile Kuit’s artistic path is undeniably marked by a
tenacious drive to redefine the horizons of sonic art and
composition. With his groundbreaking installations, enveloping
sonic environments, and intellectually stimulating performances,
he defies entrenched norms and encourages audiences to traverse
unexplored territories of sound and space. Kuit’s pioneering
contributions to the discipline have not only garnered him
global acclaim but have also catalyzed engaging discourse,
thereby revolutionizing our understanding of sound as a medium
of artistic expression. - Ewan Shah
Roland Emile Kuit lectures, performs/exhibits at universities,
art galleries, museums and creative hubs in Europe, the United
States, Asia, Russia and the Baltic States.
Publications in the art magazines l’Orbe and Avenue Magazine,
Sound On Sound Magazine, Cinquecolonne Magazine, Aatonau and WIRED:
Musica Globalista,
Featured Sonic Artist at DONEMUS - Publishing House of Dutch
Contemporary Classical Music.
Most pictures on this site
are hyperlinks. Please click on them.
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2024.11.01
Release of MASS - Roland Emile Kuit
A laboratory with 6000 table tennis ball that represent the
people when using social media. Ideas that bounce through in a
chaotic world.
The floor of this installation is used as a social media
landscape with three fans, visible in this field is the movement
of chaos. That always move towards an equilibrium.
It is up to the spectator(s) to direct the fans differently as
Lorenz attractors to generate ideas, until a new equilibrium is
found. Repeating this as long as there are people who are willing
to share ideas.......
MASS was exhibited at the Museum EICAS (European Institute for
Contemporary Art and Science) 8th of February to the 26th of May
2024.
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is an exemplar of what is meant by “experimental music”. Your systematic,
exploratory approach and careful documentation demonstrate the process of
hypothesis, testing, and validation. This process is essential to
“discovering/creating” new kinds of structures and procedures for the future of
music. So few people understand and practice this approach to experimental music
(many people conflate the mere use of technology with experimental music, but
those are orthogonal!)-
Carla Scaletti,
President of Symbolic Sound Corporation
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